The general set up this for live music and  concert/theatrical productions etc,
and is configured  for on stage monitoring for the performing artist.

Where the general set up this for live music, stage side fills
are part of the basic  set up, if the venue has the stage 
area available.                            

                           Basiccomponents, FOH audio system

  *  Audio mixers 16 to 48 input channels                           

     Outboards: 
 *  32 band graphic equaliser 
 *  Noise gate/compression/expanders
 *  Output crossover split 3 or 4 way to audio power
    amplifiers                           

*  Top/Mid/Upper Bass, Line array speaker cabinet clusters
   (Vertical or Horizontal Line Array)

*  Plus flying truss if line arrays are to be flown

*  Short

Two performance  sound engineers are required,                             one for the FOH (front of house)operational mix and the other for the on stage monitoring operational mix.                     The two systems are link by multicore cable stage      splitter boxes and the input signals is spit between  the two systems, which are controlled separately.      Basic components, On Stage Monitoring audio system   *  Audio mixers 16 to 48 input channels   *  Top/Mid side fills cabinets  *   Sub bass units  *  Stage monitoring floor cabinets (full range) 2 to 10 channels      individual mixes  *  Power amplifiers  *  Power source 13 amp for performer backline equipment  *  All the necessary cabling        The above systems can be supplemented by adding        additional audio component such as radio microphones,        radio in the ear monitoring systems and other outboard        audio components Some other examples of audio system Field & Arena Systems Club & Pub System Conference Systems Disco & Rave Systems

throw Sub bass units

*  Power amplifiers

*  Power source 16 – 32 amp

*  All the necessary cabling

*  Microphones or DI boxes (direct input) relative to the number
   of input channels required.